那些长镜头是真的好啊，那一抹绿意盎然，灰头土脸的工人小孩，还有那只小小的红隼.
会让人想起《艾特熊和赛娜鼠2：吉波利塔之旅》，但根本上又不同.
年轻时候的肯大爷，就已经能真正深入工人阶级观察生活了——他们总是说，你们不上进、不努力，活该被上流人士们统治，但如此环境如此生活，跟天生就在私立学校仔细教导的，真的是公平竞争吗？他们总说你堆未来没规划，但你看到身边，又有什么希望？养鹰只是一种无奈的寄托，或者有一天自己也能如同它一样展翅高飞——然而更大的可能是，你会被打死. 很典型的电影节电影和panning...似乎幻想的是一种可以跨越剥削关系的女性联合，但小少爷对女佣的依赖既不能跨越阶级也不能消解权力结构，更多像是一种一厢情愿的寄托. 对比起豪宅中、过节与度假时的日常生活段落，拍女佣谈情、看戏、下乡的那些戏就显得虚假又尴尬，毕竟人无法完美呈现出自己从未经历过的生活. The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
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